CLASSROOM RESOURCES
KNOWLEDGE ORGANIZERS
Shared by Almudena Arranz:
This way of organise the knowledge is productive, as it breaks with the unilateral way of learning, establishing a bidirectional learning flow (teacher » students; students » teacher). Due the posibility of setting KWL in a graphic organiser, it becomes something very attractive for the students, and versatile.
Thinking of a way to implement this tool in an interactive way, I suggest Lino (https://en.linoit.com/). It's a web where we can make a digital collaborative panel with post-its, and it can be used on different platforms (PC, Android, iOS...). It sure would be very useful to start using KWL in my classes. An analogical collaborative panel also could be done.
In cooperative learning, there are many tools, designed also as graphic organisers, similar to KWL. For example: before I knew, now I know. This kind of tools make posible the activation of prior knowledge, one of 4 steps in the process of learning (the other 3 are: presentation of the contents, processing the information, and recapitulation).
TOOLS TO CREATE COMICS
Blanca González: "I propose to my pupils is to create a
comic or a stop motion depending on their possibilities.
First they will do different tasks with a comic they
have read, learning about that language, types of balloons, shots in comic and
on stop motion, story board…"
useful links:
shots in comic:
shots in stop motion:
At the end I’ll propose them two applications but if
they want to use different ones it is also possible.
Comic: https://www.pixton.com/
Stop motion: https://www.microsoft.com/en-us/p/stop-motion-studio/9wzdncrdk52q?activetab=pivot:overviewtab
For more information about the use of cómics and graphic novels:
El cómic y la novela gráfica en contextos educativos
Autora: Ingrid Mosquera Gende para Fundación UNIREn un artículo anterior, quizás empezando la casa por el tejado, vimos el ejemplo de cómo dos profesores habían usado el cómic como recurso fundamental para desarrollar un proyecto educativo.
Cómic y novela gráfica
Rebuscando e investigando un poco para escribir este artículo, la primera duda que se me planteó fue la distinción entre cómic y novela gráfica, puesto que se encuentra información referida a ambos conceptos y, en muchos casos, entremezclada.A grandes rasgos, aunque he encontrado voces discordantes, podríamos decir que un cómic es más breve y menos complejo en su trama. Además, la novela gráfica suele relacionarse con temas autobiográficos, históricos o de actualidad y suele desarrollarse en un solo tomo, de principio a fin, mientras que los cómics, a menudo, pueden ofrecerse en fascículos. Pero, sin duda, podemos encontrar ejemplos de cómics y de novelas gráficas que se mueven a caballo entre los dos términos.
Recomendaciones para el aula
Esta distinción puede servirnos, sobre todo, a la hora de recomendar el uso de determinados títulos en el aula:-En el ejemplo del que hablábamos, presentado en el artículo anterior, los profesores empleaban Maus: relato de un superviviente, de Art Spiegelman, para la clase de Historia de 4º de Educación Secundaria Obligatoria.
-Otro docente, Guillermo Balmori, lleva a clase los cómics de Astérix para hablar del Imperio Romano.
-En este artículo de Tereixa Constenla, se recomiendan ocho novelas gráficas para niños.
-Víctor G. Muñiz también ofrece sus recomendaciones de novelas gráficas para la clase de Historia, en este caso relacionadas con la Guerra Civil Española.
-En este hilo de Twitter, el Profe Miguel y algunos de los twitteros que le responden ofrecen una amplia selección de comics, además de comentar sus posibles utilidades en el aula.
-Sin olvidarnos de los clásicos como Zipi y Zape, Tintín, Trece Rúe del Percebe, Don Miki o Mortadelo y Filemón, entre otros, debemos considerar nuevas incorporaciones.
-¿Qué tal hablar de Van Gogh a través de unas magníficas viñetas sobre su vida?
-Y para todos nosotros, estudiantes o docentes, los consejos lingüísticos de
don Pardino son imprescindibles y se pueden incorporar al aula.
Los profesores contribuyen
Antes de dar la palabra a los propios alumnos, tenemos un paso intermedio entre leer cómics y crear cómics, que tiene lugar cuando los profesores toman el mando y preparan sus propios cómics personalizados para sus estudiantes:-Pedro Martínez Ortiz, conocido y reconocido docente, ha comenzado con el primer capítulo de su cómic matemático, descargable, y acompañado de una guía didáctica.
-Pedro Cifuentes es profesor de Ciencias Sociales en la ESO y ya ha publicado varios libros sobre Historia en formato cómic, un recurso que está muy presente en sus clases.
Ver vídeo: https://www.youtube.com/watch?v=ySsZqpWormI&feature=emb_logo
-Otro buen ejemplo de ello es este cómic descargable de científicas, que además incluye una guía didáctica de actividades, también descargable.
Si os apetece probar, pero no tenéis grandes conocimientos, podéis ayudaros de alguna herramienta digital gratuita que os podrá guiar en vuestra labor.
Ver vídeo: https://www.youtube.com/watch?time_continue=1&v=UqePJYq5xEM&feature=emb_logo
Además, de recursos generales para la creación de cómics, existen otras opciones más enfocadas al mundo educativo, como puede ser la web de Pixton, abierta para profesores y para alumnos.
Los alumnos toman la palabra
Pero, sin duda alguna, el círculo se completará cuando sean los alumnos los que tomen el relevo, siendo ellos los que creen sus propios cómics, bien sea digitalmente, con alguna de las herramientas comentadas, o analógicamente.Ver vídeo:
https://www.youtube.com/watch?time_continue=2&v=_DYd5YdosQE&feature=emb_logo
En este otro enlace podemos ver imágenes de un cómic creado por un grupo de alumnos de 2º de Educación Secundaria Obligatoria. En palabras de su profesora, Tania Aparicio, “aumentó la cohesión del grupo y fomentó la creatividad de los estudiantes”. Además, añade la docente, “los alumnos fueron los encargados de organizar y medir los espacios, esto es, las viñetas, además de redactar la historia y crear y dibujar a los personajes”. Y no es la primera vez que Tania trabaja con el cómic, también lo ha hecho en otras ocasiones con proyectos digitales.
Beneficios de incorporar el cómic
Sin duda, como pudimos ver en algunas de las recomendaciones planteadas anteriormente, se cree que el cómic puede ser un modo de despertar el interés por la lectura de los más pequeños.Por supuesto, los beneficios van in crescendo cuando los cómics están específicamente preparados para el contexto educativo, por ejemplo por profesores, como veíamos, y mucho más cuando son los propios alumnos los que los elaboran, trabajando el conocido como Visual Thinking de nuestros estudiantes.
Además de fomentar un aprendizaje holístico y competencial, el cómic resulta motivador y divertido para los alumnos, que ven reforzado el contenido mediante una explicación ilustrada de materias que, en ocasiones, implican un arduo proceso de comprensión.
Ideas para el aula
Como siempre decimos en relación a todos los temas que tratamos, la incorporación debe ser gradual, antes de introducir el cómic, se pueden introducir pequeñas tiras cómicas o viñetas. Añadido a ello, entre muchas otras posibilidades:-El profesor puede crear alguna viñeta para la reflexión, también podrían hacerlo sus alumnos.
-Se pueden llevar cómics para tratar determinados temas, como ya se ha comentado.
-Se puede usar el cómic para aprender lenguas extranjeras, gracias al apoyo visual proporcionado por las ilustraciones.
-Podemos ofrecer a los alumnos el comienzo de un cómic y pedirles que se inventen el final, bien sea en formato cómic, en forma de relato, escrito u oral, o mediante una representación teatral.
-Podemos tener el cómic sin los diálogos, que los alumnos deberán completar (esto se podría hacer en grupos y comparar los diferentes diálogos obtenidos).
-También podríamos tener unos diálogos o una historia y tener que convertirla en cómic.
-Por supuesto, los alumnos pueden crear su propio cómic digital o analógico, empezando, quizás, por alguna viñeta suelta o por imaginar, entre todos, a los protagonistas.
-Para alumnos con otro tipo de talentos, algunos estudiantes podrían trabajar en una especie de fotonovela.
-Todo ello podría formar parte de un proyecto en el que el producto final fuese un cómic.
-En ese mismo sentido, también podría derivar en un proyecto de Aprendizaje Servicio, si los alumnos crean un cómic informativo sobre algún tema relacionado con medio ambiente, contaminación, educación vial, etc. Un cómic que podría servir como recurso para formar e informar en otros colegios o instituciones de la comunidad.
Con todo esto, creo que ya va siendo hora de plantearnos usar el cómic en el aula, bien sea para aprender una lengua, matemáticas, valores, historia o un poco de todo, por qué no.
Source: https://www.unir.net/educacion/revista/noticias/el-comic-y-la-novela-grafica-en-contextos-educativos/549204838924/
ONLINE TEACHING AND LEARNING
Shared by Fernando Martín:
"My activity was about recycling Arts, and I think this activity could be very interesting to develop with other subjects too.
This is the link for the process:
https://www.weareteachers.com/recycle-drop-game/?utm_source=Facebook&utm_campaign=PepsiCoRecy_1712_Art4Kerplunk&utm_content=1541799257&utm_medium=social
Kids love this Recycle drop game:"
ONLINE TEACHING AND LEARNING
Miriam Hernando shares about online teaching: two helpful and meaningful
infographics.
https://www.educarex.es/pub/cont/com/0064/documentos/10_consejos_clasesencasa.pdf
I strongly recommend David Ruiz's blog http://www.elblogdelsrruiz.com/ with many tools organized according to your needs and briefly and wonderfully explained:
I would like to share a website with all of you It´s about creating your own madalas it´s a great website if you want to design a mandala of your own. You can use patterns and after elaborating them you have the option to print your mandalas.
Happy C o L O u R i N G ! :), shared by Diego Miñambres
Ana Gemma Iglesia shares this resource that she often uses when explaining to my students how to draw a portrait. It is very entertaining and all the explanations are in English.
I would like to share this videos about the main elements in arts:
- Texture: https://www.youtube.com/watch?v=YoOb3JSDAUo
They are very nice, short, dynamic and colourful.
Resources provided by Jorge Díez
VOICE (teachers') ASSISSTANTS ? ...let's talk about Alexia, for instance.
Good morning, I have made a selection of some articles and opinions about the use of Voice Assistants for learning purposes: If you want to go deeper, click on the webgraphy used. Would you use a voice assisstant in class? How?
Amazon recently introduced Skill Blueprints, a feature which allows instructors to create Alexa skills without having to know how to code. You can create an interactive story that students can use to explore classroom materials. You can also create a simple question and answer skill that allows you to ask customized questions in class.
Another way is by adopting the Book Reader skill. The skill allows the instructor to create any text content as a readable page, then ask Alexa to read it at an appropriate time.
This reading can be a section of the syllabus, or another text, that is useful in the classroom. Sure, calling on a student to read a portion of text has its benefits. And yet having a third party read specific instructions or the chapter introduction may provide a storytelling moment.
Another Alexa feature useful in the classroom is the Flash Briefing. By selecting specific news sources, the instructor can utilize radio-like updates on global, local news, or topic feeds. These are often spoken by the news anchors instead of being read by Alexa. This creates a classic radio feeling. The Flash Briefing can be adopted into a custom skill with instructors posting chapter or vocabulary reviews as news items.
Alexa can remind you during class of an event you planned. Ahead of time, or during class, you would ask Alexa to remind you about the pop quiz you intended to deploy at 3:30pm. During class, Alexa will politely remind you of that.
If you have a few minutes before class, you can also play welcoming music. A musical intro could be a great way to set student minds on something positive and start shaping their experience for the upcoming class. You can play an Amazon Music playlist called Student Favorites, or another playlist that you prefer. Alexa does very well in providing this breather period before it is time to start. The music background can also be used during group discussions or other activities, where students are not willing to break the quiet environment and only start collaborating in their usual, lauder manner, if background noise is present.
It doesn’t stop there, Alexa can toss a coin for you to determine if the exam should be on Wednesday or Friday, convert units of measure, provide a timer for group activities. It can provide definitions for facts, it can translate expressions and speak them in a foreign language. Also, it can play a portion of your Audible book read by a professional lecturer.
Extracted from:
Know the limitations: No technology can take the place of a relationship. Teachers should use voice technology to enhance the learning experience they direct. As with any educational technology tool, teachers should set rules about voice device use in the classroom. Make it clear to students when they are allowed to access the device and the expectations for use. The technology should not be an earned reward but rather a tool for learning.
Don’t share personal information: Make sure that students are not sharing specific personal information with the device. Their name, address, and age should not be part of any response to questions. Our students use numbers instead of their names. Anytime the device asks for a student’s name, they share their number or occasionally make up a nickname. Do not associate a device to a person, but instead create a new account with no associated browsing history.
Timers, routines, and schedules: Create efficiencies for yourself and your students by setting up reminders throughout the day. One teacher at my school created a routine for her class so that when a substitute teacher fills in, the class is reminded when it is time to transition to the next lesson or event of the day. Increase face time with students by creating efficiencies in your own schedule using voice commands. Add meetings to Google Calendar directly through a voice user interface. Some educational platforms, such as the learning management system Canvas, allow voice technology for tools like hearing a to-do list inside the platform.
Stories and books: One of the most obvious ways to use voice devices is to ask them to read to students. The Echo Dot will access materials directly from Audible. But beyond typical reading, devices have the capability to make stories interactive. Capstone Publishing created a series called “You Choose,” which provides readers with choices along the way that allow them to determine how the book will progress.
Drills and memorization: Devices can be used to help students memorize information such as their multiplication facts, spelling words, or foreign language vocabulary. The quiz format is engaging and fun.
Music and white noise: The use of sound to set the tone of the classroom is not new, but the ability to access sound quickly with a voice command is. Teachers don’t have to stop what they’re doing to add sound or white noise to the room. With one sentence, they can stay fully involved in their work while making an adjustment to the classroom environment.
Don’t share personal information: Make sure that students are not sharing specific personal information with the device. Their name, address, and age should not be part of any response to questions. Our students use numbers instead of their names. Anytime the device asks for a student’s name, they share their number or occasionally make up a nickname. Do not associate a device to a person, but instead create a new account with no associated browsing history.
Basic Classroom Management
Amazon Alexa will save you time and simply your classroom management routines. By simply saying, “Alexa,” you get the device’s attention. For example, you can say, “Alexa, set a ten-minute timer,” and the device will start timing your activity right away. When it comes to randomly pairing or grouping students, Alexa has several different random generating options. If you must make quick decisions, you can ask Alexa to play “Heads or Tails.”
This padlet by Ann Foreman is a real chest of games. She has gathered all her favourites together here: https://padlet.com/TeachingEnglishJukebox/FavouriteClassGames
Icebreakers, speaking games, warm-ups, small-talk... choose your pick adn enjoy.
TEACHER WELLBEING
Comparto estos recursos de teachitenglish.co.uk en estos últimos días de curso.
Nuestro bienestar como profesores es fundamental para una escuela saludable y para la salud mental de los alumnos.
This is a summary and a sample, but you have the whote document uploaded:
10 golden rules of mental health wellbeing
Andy Sammons, Head of Department and author of 'The Compassionate Teacher' @compassionteach, shares 10 rules you should follow to help you handle the demands of teacher workload and limit your chances of reaching burnout.Paying attention to your mental health
By the time I worked it out, it was too late. It took about six months, but by the time depression descended on me, there was no going back. Even now, feeling better about life, I look back on that time in horror – horror at the place I went to mentally, and horror at what I put my family through.
Two things are clear to me now. Firstly, although humans are remarkable, our brains are faulty in the sense that unless we pay attention to them, there will be payback in terms of mental health. Secondly, notwithstanding this, our current educational context makes teachers extremely vulnerable to mental health issues.
The way I see it, anxiety and depression are two sides of the same coin – one fuels the other. Once you get your head around that relationship, you can begin to understand and be wary about the warning signs. Anxiety is an evolutionary mechanism designed to help us stay out of danger; the only problem is that problems we now perceive in the modern day are of a different nature to those we evolved to survive.
The physiological consequences for too much anxiety and stress are long term. Over a long period of time, too much of it leads us to feel differently about the world, and there is an evolutionary basis for depression too.
During the six months I allude to above, on reflection, there were some fairly recognisable symptoms. And when I map it onto the types of things one might do to keep going and survive, I did something foolish: I turned from a human being into a human doing. In other words, I chased the tick-list. I chased the completion of tasks. I chased getting to the end of a workload that was an impossibility.
How I became a human doing
How did this manifest at home? Anything related to being a human became an inconvenience. I stopped watching my nutrition. I stopped talking with my wife. And I stopped spending time with my family. When my little boy cried in the night, my stomach would lurch and send me into a panic because I’d be terrified of not getting my work done the next day. The thought of spending time with my family became terrifying, not an escape or a welcome distraction. There was simply no escape from my newly crafted mental hell.
All the while, I ramped up the pressure on myself to keep on top of the fight I’d never win. My sleep deteriorated – I’d wake up during the night five or six times to check my ‘to do’ list. Slowly, cracks appeared at work, and I couldn’t keep up. An email could send my heart racing, or a student falling behind would induce me to a breathless panic. Effectively, my brain lost the ability to truly distinguish between credible threats and the things less worth panicking about.
The key? Sweat the small stuff. Notice your emotions, their triggers, and what you can put in place to alleviate the strains.
The resource below includes ten actions you can put in place right now. This resource accompanies Andy's article: 'Anxiety and depression, the terrible twins: what they are and how to spot them'.
Example golden rule
5. Be you. Remember, you are you, and not just a teacher. Give yourself the time and space to be that person outside of the building – the key is to create the space to ‘decompress’ and experience life outside of the cauldron. Having experienced it myself, staying in the cauldron only makes things worse.
Take care of yourselves.
When teaching a subject in English, we are sometimes stressed because we are not really sure if the students have understood a certain topic or exercise.
I want to stress that students also have difficulties with the subjects taught in Spanish, and teachers worry about it too. Rephrasing and asking for clarification using simple sentences are good tools.
Perhaps we could share come of the expressions and vocabulary we use in the classroom. Le me begin with it with a couple of resources:
I. Poster.
Very useful for the students if you place some copies on the classroom walls or you hand out a copy to each of them.
Source: https://i.pinimg.com/originals/6f/bb/eb/6fbbeb7830bc35702f143666fcf499c2.jpg
II.
Checking for Understanding:
Do you understand?
Are you following me?
Do you understand what I mean?
Do you understand what I’m saying?
Any questions?
Got it?
Expressing lack of understanding:
I don’t get it.
Sorry, I didn’t get your point.
What do you mean?
I’m not sure I got your point.
I beg your pardon, but I don’t quite understand.
I don’t quite follow you.
I’m sorry. I don’t understand what you mean.
Sorry, I didn’t quite hear what you said.
Asking for clarification:
Could you clarify that, please?
Could you explain that, please?
What do you mean by that?
Could you say that again, please?
Could you repeat, please?
Could you put it differently, please?
Sorry, let me explain…
Let me clarify it for you…
To put it differently…
Let me put it in another way…
I see.
I understand.
I got it.
Ok, I got what you mean.
I understand what you mean.
If you want to practice pronuntiation, listen from this is the source: https://basicenglishspeaking.com/checking-understanding-english/
Resources provided by: Beatriz de la Calle
If you need to
find out what CLIL is, I found some blogs like the intef's:
An internet article:
Quite often, while we are looking for resources in the web or browsing through bibliography we can get confused by the names given to different stages/years/ courses in different countries: k3, year 11, seventh grade...
This is a chart which can help you with it. It shows the equivalence of the USA, British and Spanish educational systems showing the student's age.
Sculptural Assemblages by Thomas Deininger Are Three-Dimensional Tricks of the Eye
Thomas Deininger creates mind-bending optical illusions in his found object sculptural assemblages. The Rhode Island-based artist shares with Colossal that he began creating work from found objects in 1994, when he was “experimenting with the physical qualities of paint and abstraction in both material and imagery.” He continues,
Most of the content I was exploring involved mass consumerism, pop culture and environmental concerns. So really the medium easily became the message. I question beauty, value, and perception and how the three concepts do this little dance that changes how we all relate to the (physical and spiritual) world and how reality is just an illusion we all settle on for a time.Deininger also explores assemblage in two-dimensional paper collages. Throughout his various mediums, he uses photographs and materials from popular culture, including Barbie dolls and trolls, and has re-created famous paintings by Diego Velázquez and Vincent van Gogh. You can see more of his work on Instagram.
Source: https://www.thisiscolossal.com/2018/09/sculptural-assemblages-by-thomas-deininger/
How important is language in our roles bilingual teachers?
This article reflects on the importance of methodology.
Teachers of English use "instructions" activities quite often.
I used to ask the Language Assistant - or I did it myself- to perform a task without speaking -for instance getting a coke from a vending machine- and then I asked the students to ask her to do the same following their instructions.
The trick was that I asked the language assistant to perform the task following their instructions to the letter ,which resulted in many funny performances. They need to rephrase the instructions many times and as accurately as possible to get the desired action. Very good drilling practice.
Students take turns uttering the instructions, and when they finally get it right, they get in groups of three and write them down. Afterwards, you can ask them to write their own and/or repeat the activity in plenary following each group instructions.
It is always a lively, fun activity and they use to enjoy it a lot.
8th May: Women's Day
Women in the visual arts:
EQUIVALENCE OF EDUCATION SYSTEMS.
ESPAÑA
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AGE on
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Escuela Instituto
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Etapa Educativa
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Cursos
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Year
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Curriculum stage
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Schools
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Grade
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Curriculum stage
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Schools
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31 Aug
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31 Aug
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CEIP:
Centro
de
Educación
Infantil
y
Primaria
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Educación
Infantil
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1º Infantil
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3
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3
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Kindergarten
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Kindergarten
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Kindergarten
Pre-School
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2º Infantil
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4
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4
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3º Infantil
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5
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Enseñanza
Primaria
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1º Primaria
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6
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6
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First Grade
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Elementary
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Lower Elementary School
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2º
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7
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Second Grade
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Third Grade
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Fourth Grade
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Fifth Grade
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6º
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Secondary
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Middle School
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Instituto
de
Enseñanza
Secundaria
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Enseñanza
Secundaria
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1º ESO
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Seventh Grade
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2º ESO
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Eight Grade
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3º ESO
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Nineth Grade
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High School
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4º ESO
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Tenth Grade
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Bachillerato
17-18
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1º BACH
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16-17
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(Lower Sixth)
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16-17
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Eleventh Grade
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Senior High/
High School
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2º BACH
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17-18
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(Upper Sixth)
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17-18
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Twelveth Grade
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ESPAÑA
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AGE on
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UK
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AGE
on
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USA
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Escuela Instituto
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Etapa Educativa
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Cursos
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1 Jan
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Year
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Curriculum stage
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Schools
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31 Aug
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31 Aug
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CEIP:
Centro
de
Educación
Infantil
y
Primaria
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Educación
Infantil
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1º Infantil
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3
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3
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2º Infantil
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4
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4
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3º Infantil
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5
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Enseñanza
Primaria
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Instituto
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Enseñanza
Secundaria
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Enseñanza
Secundaria
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12
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2º ESO
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3º ESO
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14
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4º ESO
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15
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Bachillerato
17-18
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1º BACH
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16-17
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(Lower Sixth)
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16-17
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2º BACH
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17-18
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(Upper Sixth)
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17-18
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